In 1993 I turned 15. This book reminds me of how I used to read. I was a total immersion reader, barely surfacing for meals. I wish I could share that feeling with anyone who doesn't have that experience with good books.
But I also read to define myself. To find out who I was, who I wanted to be. I drifted through months of reading only existentialist literature. I dove headlong into Anne Rice. I forgot my own name when I found The Mists of Avalon.
But I definitely wanted to be Smilla. She is hard, fierce, uncannily intelligent, well dressed, and gifted with several extra senses.
The sense of presence, that someone or something is there before she can see or hear anything. The sense of timing, always asking the exact right question when there's no time to dilly dally. And the sense of snow, the one she is most known for.
I still adore Smilla. And I worship the way Peter Høeg has with his storytelling. From one paragraph to the next, we might be reading about a mathematical principle, a memory of time spent in boarding school, or a bitter discourse on colonialism. No matter what it's about, each sentence flawlessly advances the story -- one of the most fascinating and gripping stories I know of.

I watch the sunset, which lasts three hours at this time of year. As if the sun, on the verge of leaving, had discovered qualities in the world that are now causing it to have second thoughts about departing. (13)
In this century the Inuit's life has been a tightrope dance on a cord fastened at one end to the world's least hospitable land with the world's most severe and fluctuating climate, and fastened at the other end to the Danish colonial administration. (79)
I've thrown a little cold water on my face. The possibility of my having brushed my hair can not be ruled out. (99)
One of the signs that your life needs tidying up is when your possessions gradually have come to consist mainly of things that you borrowed a long time ago but which it's now too late to give back (104)
Photo by J. Steuben
